Jute. 'Zmorde!
Mutt. Meldundleize! By the fearse wave behoughted. Des-
pond's sung. And thanacestross mound have swollup
them all. This ourth of years is not save brickdust
and being humus the same roturns. He who runes
may rede it on all fours. O'c'stle, n'wc'stle, tr'c'stle,
crumbling! Sell me sooth the fare for Humblin! Hum-
blady Fair. But speak it allsosiftly, moulder! Be in
your whisht!
Jute. Whysht?
Mutt. The gyant Forficules with Amni the fay.
Jute. Howe?
Mutt. Here is viceking's graab.
Jute. Hwaad!
Mutt. Ore you astoneaged, jute you?
Jute. Oye am thonthorstrok, thing mud.
(Stoop) if you are abcedminded, to this claybook, what curios
of signs (please stoop), in this allaphbed! Can you rede (since
We and Thou had it out already) its world? It is the same told
of all. Many. Miscegenations on miscegenations. Tieckle. They
lived und laughed ant loved end left. Forsin. Thy thingdome is
given to the Meades and Porsons. The meandertale, aloss and
again, of our old Heidenburgh in the days when Head-in-Clouds
walked the earth. In the ignorance that implies impression that
knits knowledge that finds the nameform that whets the wits that
convey contacts that sweeten sensation that drives desire that
adheres to attachment that dogs death that bitches birth that en-
tails the ensuance of existentiality. But with a rush out of his
navel reaching the reredos of Ramasbatham. A terricolous vively-
onview this; queer and it continues to be quaky. A hatch, a celt,
an earshare the pourquose of which was to cassay the earthcrust at
all of hours, furrowards, bagawards, like yoxen at the turnpaht.
Here say figurines billycoose arming and mounting. Mounting and
arming bellicose figurines see here. Futhorc, this liffle effingee is for
a firefing called a flintforfall. Face at the eased! O I fay! Face at the
waist! Ho, you fie! Upwap and dump em, ace to ace! When
This webpage combines the last couple pages:
https://sites.nd.edu/manuscript-studies/dialogue-of-mutt-and-jute-in-_finnegans-wake_/
What I think is most important about FInnegans Wake and the analysis of Finnegans Wake done by Marshal McLuhan in his 1968 book: https://en.wikipedia.org/wiki/War_and_Peace_in_the_Global_Village
Is the self-awareness in an individual that the interpersonal conflicts they have in their own individual life are connected to the culture, languages, global history, personal history. Not to view people as just ‘friend or foe’ like warfare, but to understand how our brain works with languages and translations (notably the thunderwords as transalation stones).
Not only verbal languages and sounds that the story continually emphasizes with the off-axis English, but also the media it is recorded on, presentation. The generations of technology and convention that humanity has sent as waves throughout the universe. Marshall McLuhan said that ti was the most powerful media analysis framework ever.
Joseph Campbell’s work on Finnegans Wake is also of great importance in how it confronts classic mythology and the brain. To remove the supernatural regard of classical mythology and face what Joyce was saying with the key of Bible verse Romans 11:32 www.Romans1132.com
if you are abcedminded, to this claybook, what curios of signs (please stoop), in this allaphbed!